Utilizing the RED ONE with MX along with a 35mm Cooke iLens I was able to shoot and matchmove footage and then import it into Cinema 4d. In a few blog posts there will be some more renders, and beauty renders.
“Grey “1080p
A hitman at the end of his rope, Grey lives the only way he knows how – by the gun.
Cast
Grey – Drew Zeran
Crew
Writer l Director: Andre Rehal
Cinematographer: Michael R. Brazeau
Editor: Drew Stevenson
Sound: Nadia Awad
Colour Correction l VFX: Scott McIntyre
1st AC: Cameron Stoltz
Tech Specs
Camera – ARRI ALEXA
Lensing – Cooke S4’s
ASA – 800 (interiors), 1600 (night exteriors)
Gamma – Log C
Edit – FCP
Grading – Apple Color
Links
andrerehal.com
michaelbrazeau.tumblr.com
drewstevenson.tumblr.com
smakstudios.com
arridigital.com/alexa
cookeoptics.com/
simvideo.com/
So these are rough comps of what the site will look like. The backplate is the master before color correction. This will be used as the matchmoving plate, that the hill scene and inside studios will be composited into. Right now the studio scene is not part of the hills due to render issues. Enjoy.
Did I mention the backplate was shot on RED MX?
http://fillermagazine.com/the-loom/versus
Director Javier Lovera
Styling: Alicia Simpson
Creative Director: Ryan Johnson
Music: Metamorphoses 1 – Phillip Glass
I’m a pretty big fan of color as most people know. As I thanked Apple Color in my Cinematography award speech last year, and forgot my girlfriend.
